自導自演,自問自答,自證自悟

  1. 為什麼要自己演?
    不是沒有想過找專業演員。想過楊雁雁,李心潔。兩個都是影后。也是很棒的媽媽。楊雁雁是可以演武打的,我真的有認真考慮過。但是這部電影是關於尋找自我。關於一個人重新得到自己的身體。所以還是必須我自己去經歷的。這是導演的自私。

  2. 問:為什麼要自己去經歷?

    我是把拍電影當作一種修行吧?看書也是,練武也是。其實到最後,生活是一場修行。

  3. 所以你讓宮本武藏說“一切都是劍?”
    這個故事倒是我聽來的。我之前也去學太極推手,其中有個師兄說了這個故事。這個肯定不在宮本武藏的傳記裡,我覺得他是混合了幾個故事。雖然是胡扯,但是挺有意思的,就拿來用了。

  4. 具體上修行是什麼?
    我有一個朋友李紅旗,他有陣子學八卦拳。他跟我談“得體”。不是穿衣服得體那個得體。是“得到”身體“。我也在思考這個問題。科學認識上,我認為沒有靈魂這一回事,所有思想意識,也還是屬於身體的。我們的所有活動都是電光石火之間的化學作用。去感知身體對認識自我很重要。靜坐是一個方法。拍電影是一個方法。習武也是一個方法。

  5. 自己是什麼?
    我也在問。我覺得“自己”是編出來的一個故事。有些故事是先設的,比如出生在什麼時候和什麼地方,還有父母。幾乎已經完整敘述你的身分:年齡,地理,國籍,姓名,關係。比如有人問你是誰,基本上就是:我是陳翠梅,馬來西亞人,導演,誰誰誰的女兒或妻子或母親。
    在這些敘事之中,少數是選擇,比如職業。

  6. 為什麼“自己”是一個故事?
    我們會給自己尋找原因。
    打個比方:”我會拍電影,是因為小時候二姐喜歡編故事。“
    ”我想學武,因為我父親是個武癡。“
    “我想拍武打,因為最早接觸的就是武俠電視劇。“

    種種。都可能是現狀尋找原因。我們都精於這種敘事。
    有因果情節的事件就會形成故事。

  7. 妳的電影好像都有這種敘事遊戲。尤其是長片。《愛情征服一切》裡,男人明明已經述說了自己會怎麼去騙這個女孩,然後你又讓觀眾看他一步一步實行;《無夏之年》裡兩個好朋友在一個夜晚回憶童年往事,讓後第二部分妳讓我們看到美好回憶和殘酷真實的落差。

    嗯,的確對敘事感興趣。我對一個人如何去敘述一個事件特別感興趣。

有句话“鸳鸯绣成从君看,莫把金针度与人。”
就是一件艺术作品,任人欣赏,但是别去说明是怎么做出来的效果。
我偏偏是那个对鸳鸯没有兴趣,老是想看金针的人。
也会是那个以“金针度人”的创作者。


Director's Intention: The Questions

1.  When I was 5, I used to stare at things, until I don’t see it anymore. I stared at a door, and after some time, it disintegrated, and it did not have the idea or concept of a door, but form with many parts that put together the idea of door, but what is a door? It is a strange activity, you can stare at a tree, at a person, and suddenly you realize you don’t see that “thing” anymore. 

2. When I have YuZhou, I have this idealistic plan, that I want to let him see something before he learn the word. I want him to see a tree, before anyone show him an illustration and tell him “it” is call a tree. When he was small, I just bring him out to see and listen at things as much as possible, it is really a race against society, and in the end I lose tremendously. 

3. Even at our generation, we had “know” so many things before we see or experience the real thing. We know Paris before we been to Paris. We learn about  of love, before we experience love.  We had seen so many  methods of killing from film, and hopefully we never need to use them.  We are people with a lot of knowledges, but with no real experiences. 

4. When I was 7 years old,  I have this question about “Who am I?” I thought my body is a container, and “I” flowing in and out, sometime my friend flow into my body, sometime I flow into my friend’s body, while my friend’s “soul” flow into my body, my body will behave just like my friend.  The idea of “I”, depends on whose body “I was in at that moment. 

5. One day Zhuang-Zi dreamt of himself became a butterfly, it suited him well and he was happy as a butterfly. When he was awake he realize he was human, and he wonder if he was Zhuang-Zi dreamt of butterfly, or butterfly dreaming of becoming Zhung-Zi. 

6. When Zhuang-zi was  asked to serve the government , he asked, you see that tortoise on the temple, do you think the tortoise is happier being prayed on the high altar in a temple, or he rather want to play in the low mud, wagging his tail?

7. One day Zhuang-Zi and Hui-Zi, looking at fishes swimming in river. Zhuang-Zi said, look at those fish, how free and happy they are. Hui-Zi said, you are not fish, therefore it is not possible that you can know the fish is happy. Zhuang-Zi said, “You are not me, therefore it is not possible if you know I knew that the fish is happy.”

8. What is “I”? My body? My mind? 

9. Who am I? I am very aware that I am always wrong at describing myself. It is usually different from how others perceive me. And I have extremely personalities that I like to change characters. I am not “consistent”. 

10. After I got pregnant, only I am aware of my body. Or aware of how I loss the control of my body. Motherhood is loss of control of my body, because not only the child, But The society suddenly has power or control over you, from the moment you got pregnant and become mother.

11. Every birth of a child is an invasion of a barbarian to our civilization.

12. Who is the barbarian? My child? Or me?  All of us?

13. I hated when anyone tell me, “Your child is your greatest creation.” I see my child a separate being, and I am just a tunnel for it to get into the world, or a 3D printer. 

14. And then I realize most of us does not create anything. We are merely a medium where something manifest itself through our action.

15. As Michel Foucault said, “It is not the body the prison of our mind,  but our mind is the prison of our body. "

16. If you were asked, “Not your name, not your job, not your relationship, tell me who you are?”

17. If you were asked, “Why did Bodhi-Dharma come to the East?” 

18. If you were asked, “Without good, without bad, what is your original self?”

19. If you were asked, “Who is dragging this corpse?”




Barbarian Invasion Blog 02: A Joke 一個玩笑

How I started writing Barbarian Invasion?

In June 2019, the Heaven Pictures B2B project was announced in Shanghai. I didn’t have any idea about what story I want to make, I only have a title then, called “I Just Want You to Love Me”.

After Shanghai, I made my usual trip to Beijing to meet up some friends. I remembered I had lunch with Wang Hongwei in Mina’s Restaurant. Wang Hongwei was proposing to make an action film, and he asked me to play the lead, a spy. Wang Hongwei always have a lot of project ideas.

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Barbarian Invasion Blog 01: The Importance of Finding Producers

I don’t think I can made this film if I didn’t have Ming Jin as producer.

I am someone who has a lot of random ideas and my mind is usually quite scattered. Especially after I became a mother I could not focus on writing or reading. It is constantly of a mess.

Ming Jin immediately offered to produce the film for me when he first heard my idea. And then we consistently meet up in cafes, i will tell him my new scenes, and we keep talking about the stories, the characters, and bounces back and forth. It was really fun and things move fast this way.

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