http://www.dahuangpictures.com/blogs/index.php?disp=comments en-UK http://backend.userland.com/rss 60 Fri, 11 May 2007 14:08:25 +0000 c574@http://www.dahuangpictures.com/blogs/ and she had kown nothing.... http://www.dahuangpictures.com/blogs/trailers.php/2006/11/20/trailers#c574 Wed, 02 May 2007 18:50:48 +0000 c573@http://www.dahuangpictures.com/blogs/ Congrats Pete for your winning & glad to meet you at AIM postparty. It was some sort of deja vu when i congratulated you back in AIM 2003. Can't wait to see you in 'Before We Fall In Love Again'. http://www.dahuangpictures.com/blogs/press.php/2007/04/30/pete_teo_won_3_awards#c573 Tue, 01 May 2007 15:44:37 +0000 c572@http://www.dahuangpictures.com/blogs/ Dear BRO.. You're AWESOME and you ROCK...!My friends and I are dying to see your movie...pls play for us ....! ok? You're AWESOME and you ROCK...!My friends and I are dying to see your movie...pls play for us ....! ok? ]]> http://www.dahuangpictures.com/blogs/daughters.php/2006/12/21/behind_the_scenes_1#c572 Tue, 01 May 2007 11:14:56 +0000 c571@http://www.dahuangpictures.com/blogs/ the DVD is out in several Singapore shops like Borders, HMV and Kinokuniya :-) http://www.dahuangpictures.com/blogs/akok.php/2007/03/20/amir_muhammad_boost_from_ban_straits_tim#c571 Tue, 17 Apr 2007 05:24:51 +0000 c570@http://www.dahuangpictures.com/blogs/ interesting reponse. who is this audience? http://www.dahuangpictures.com/blogs/bwfla.php/2007/04/17/an_audience_in_hkiff#c570 Wed, 11 Apr 2007 01:27:31 +0000 c569@http://www.dahuangpictures.com/blogs/ cool film...you dont ever think about the nasty film otai that ban your film... they should learn how to appreciate the local scene... juz want to ask...where can i can the LKM and AKOK dvd's...i want to watch it... really want to watch it... indie for glory....
they should learn how to appreciate the local scene...

juz want to ask...where can i can the LKM and AKOK dvd's...i want to watch it...

really want to watch it...
indie for glory....]]> http://www.dahuangpictures.com/blogs/akok.php/2007/03/20/amir_muhammad_boost_from_ban_straits_tim#c569 Sat, 31 Mar 2007 21:17:50 +0000 c568@http://www.dahuangpictures.com/blogs/ "House for many award-winning Malaysian independent films." what many? love conquers all the only award winning film what? http://www.dahuangpictures.com/blogs/press.php/2007/03/24/love_conquers_all_win_oikocredit_award#c568 Sat, 31 Mar 2007 02:46:41 +0000 c567@http://www.dahuangpictures.com/blogs/ I just saw the film in Maastricht, the Netherlands and I wanted to congratulate the whole team for the creativity and the perspective taken. I'm a fellow Malaysian who's been living and working in the US and Europe for a pretty long time -- I just keep moving on the job. Foreigners are curious about Malaysians and I've never been comfortable playing along and giving them a "Malaysia Truly Asia" Pangkor Laut description. Now here is one of those few times when I can say that here's a film that really is a lot about who we are and what we are. I hope that you'll continue to receive support to make such films. I'm afraid that we if don't have films like that, one of these days, our memories of what it means to be Malaysian will fade away and be replaced by some manufactured version. In my own small way, I'll continue to support you all by buying a ticket to each new film you make and seeing it in a film festival somewhere in Europe. Good luck! Malaysia Boleh! (and for once I really mean it)
]]> http://www.dahuangpictures.com/blogs/loveconquersall.php/2007/01/10/wahab_hamzah_antara_cinta#c567 Thu, 29 Mar 2007 03:36:41 +0000 c566@http://www.dahuangpictures.com/blogs/ Assalamualaikum General Amir ... Tabik hormat buat General! Saya amat kagum dengan dokumentari berkenaan komunis. mesej ini semua patut dilihat oleh semua rakyat agar mereka tahu betapa susah moyang kita dulu membebaskan negara dari dijajah oleh MEREKA! Merdeka! Merdeka! Merdeka!
Tabik hormat buat General! Saya amat kagum dengan dokumentari berkenaan komunis. mesej ini semua patut dilihat oleh semua rakyat agar mereka tahu betapa susah moyang kita dulu membebaskan negara dari dijajah oleh MEREKA! Merdeka! Merdeka! Merdeka!

]]> http://www.dahuangpictures.com/blogs/akok.php/2007/01/13/trailer#c566 Thu, 29 Mar 2007 03:31:51 +0000 c565@http://www.dahuangpictures.com/blogs/ Salam buat Amir , Tahniah atas filem komunis yg telah dibuat dan saya amat berbangga dengan orang kita kerana boleh melahirkan filem sedemikian rupa. namun saya berdukacita kerana ada diantara pihak kita masih lagi tidak menyedari kepentingan dari filem anda. masih sempit lagi pemikiran orang kita ini dan ia perlu diperbetulkan sebelum semuanya lenyap. Hidup Amir! Lelaki komunis terakhir! Tabik!
Tahniah atas filem komunis yg telah dibuat dan saya amat berbangga dengan orang kita kerana boleh melahirkan filem sedemikian rupa. namun saya berdukacita kerana ada diantara pihak kita masih lagi tidak menyedari kepentingan dari filem anda. masih sempit lagi pemikiran orang kita ini dan ia perlu diperbetulkan sebelum semuanya lenyap. Hidup Amir! Lelaki komunis terakhir! Tabik!]]> http://www.dahuangpictures.com/blogs/akok.php/2007/01/13/trailer#c565 Wed, 28 Mar 2007 11:10:12 +0000 c564@http://www.dahuangpictures.com/blogs/ amir amir amir.... do do tell whenever you're holding a private screening of Apa khabar orang kampung in m'sia, k? hopefully its during the school hols. we bought two LKT dvds...one for viewings atpeninsular at the other for the land of the hornbill. my dad was just commenting earlier tht he only wish you would show the malay village as well...he thought it wld be nice to see how they are faring...specially since he heard a group of them when for haj in recent years...guess he'll get his wish with AKOK. all the best for you and your crew, amir. majulah filem untuk negara.
do do tell whenever you're holding a private screening of Apa khabar orang kampung in m'sia, k? hopefully its during the school hols.

we bought two LKT dvds...one for viewings atpeninsular at the other for the land of the hornbill. my dad was just commenting earlier tht he only wish you would show the malay village as well...he thought it wld be nice to see how they are faring...specially since he heard a group of them when for haj in recent years...guess he'll get his wish with AKOK.

all the best for you and your crew, amir.
majulah filem untuk negara.
]]> http://www.dahuangpictures.com/blogs/akok.php/2007/03/20/amir_muhammad_boost_from_ban_straits_tim#c564 Thu, 22 Mar 2007 09:13:22 +0000 c561@http://www.dahuangpictures.com/blogs/ Hi Tan Chui Mui, I've just seen - tonight 22 march at 20.30 - your beautiful movie at the international film festival in Las Palmas de Gran Canaria. I want to congratulate you with this subtile, sensitive, intimate portrait of an impossible love of a young, innocent girl. Her love is so pure that it really touched me.. I love your beautiful close-ups and the silence in the long shots when the girl is listening to the rain or watching an insect on the floor. These shots are really of a poetic beauty. I also thanked the actor himself Stephen Chua, who was present at the festival. He and Coral did a great job. Their acting was so pure and natural. He was so happy with my compliment that he made a picture of us; to show it at his mum. So nice. If you want to, can you ask him to send this photo to my email adress? Thanx. Furthermore I wish you all the best and a lot of success, hope to see more of you. Maybe we can stay in touch? Love, Monique I love your beautiful close-ups and the silence in the long shots when the girl is listening to the rain or watching an insect on the floor. These shots are really of a poetic beauty.

I also thanked the actor himself Stephen Chua, who was present at the festival. He and Coral did a great job. Their acting was so pure and natural. He was so happy with my compliment that he made a picture of us; to show it at his mum. So nice. If you want to, can you ask him to send this photo to my email adress? Thanx.
Furthermore I wish you all the best and a lot of success, hope to see more of you. Maybe we can stay in touch?
Love, Monique
]]> http://www.dahuangpictures.com/blogs/loveconquersall.php/2007/01/10/wahab_hamzah_antara_cinta#c561 Wed, 21 Mar 2007 15:26:24 +0000 c560@http://www.dahuangpictures.com/blogs/ Dear Amir, that was a nice trailer ... cant wait to catch the docu ... been your your fan for sometime now, wondering if I can do a personal interview with you for my online news portal (malaysiakini) under segment called Rentakini? (a segment for anything but politics :) Thankx, Indra.
that was a nice trailer ... cant wait to catch the docu ... been your your fan for sometime now, wondering if I can do a personal interview with you for my online news portal (malaysiakini) under segment called Rentakini? (a segment for anything but politics :)

Thankx,

Indra.

]]> http://www.dahuangpictures.com/blogs/akok.php/2007/01/13/trailer#c560 Mon, 19 Mar 2007 20:48:25 +0000 c558@http://www.dahuangpictures.com/blogs/ sengtat, so kelakar, reading the write up for this. i just found out bout this site, from mui. sangat bagus. ajak la kawan2 semua berlakon. nadya ada, syikin a.k.a gebu also ada. :) so kelakar, reading the write up for this.
i just found out bout this site, from mui. sangat bagus.

ajak la kawan2 semua berlakon. nadya ada, syikin a.k.a gebu also ada. :)]]> http://www.dahuangpictures.com/blogs/daughters.php/2006/12/17/all_about_daughters#c558 Mon, 19 Mar 2007 19:18:58 +0000 c557@http://www.dahuangpictures.com/blogs/ seng tat, still remember me? cute la you dalam mukhsin.. cara you berjalan,still the same.. like 10 years ago. u looked the same too. never grow up eh? still remember me?

cute la you dalam mukhsin..

cara you berjalan,still the same.. like 10 years ago. u looked the same too. never grow up eh?
]]> http://www.dahuangpictures.com/blogs/daughters.php/2006/12/21/behind_the_scenes_1#c557 Mon, 12 Mar 2007 19:32:07 +0000 c556@http://www.dahuangpictures.com/blogs/ I'll be there!!! and the first to defend and promote James LEe great works within the French community!!! http://www.dahuangpictures.com/blogs/press.php/2007/03/25/deauville_asia_focus_on_james_lee#c556 Mon, 12 Mar 2007 04:07:45 +0000 c554@http://www.dahuangpictures.com/blogs/ i luv u too tat. but, i'm married now. very the sorry u know. http://www.dahuangpictures.com/blogs/daughters.php/2006/12/21/behind_the_scenes_1#c554 Fri, 09 Mar 2007 15:21:38 +0000 c553@http://www.dahuangpictures.com/blogs/ The Independent newspaper 10.03.2007 Censorship: Still a burning issue If you want to know what defines an era, look no further than the authors, artists and activists who fell foul if it. Censorship is as old as civilisation itself - and the drive to suppress as strong today as ever. As 'The Independent' launches a major series of the greatest banned books in history, Boyd Tonkin asks whether the thought police will ever learn Published: 22 February 2007 George Bernard Shaw once wrote that assassination is the ultimate form of censorship. That hardly counted as a joke 100 years ago. Now, it sounds like no more than a footnote to today's headlines. A month ago, the Turkish-Armenian editor Hrant Dink died at an ultra-nationalist assassin's hands. His murder came after a sustained, high-level campaign to vilify and prosecute those writers - such as Dink, or Turkey's Nobel laureate Orhan Pamuk - who dare openly to debate the Ottoman massacres of a million or more Armenians in 1915. Just three months earlier, the author and journalist Anna Politkovskaya paid the same price, shot in the lift of her Moscow apartment block after her dogged and fearless research into the underside of Putin's regime had made her one ruthless foe too many. As for the grotesque public killing, so far unsolved, of Alexander Litvinenko in London last November: remember that the former KGB agent's chief offence, in the eyes of his Russian enemies, was to publish a book that denounced the alleged terror tactics of his ex-employers in provoking the second Chechen war. That book, Blowing Up Russia, was promptly and permanently banned in his native land. At home, freedom of expression hardly looks in better shape. Last year, only a concerted campaign by what one minister once sneeringly called "the comics' lobby" - in fact, a very broad coalition of writers, artists, lawyers, parliamentarians and (yes) entertainers - reined in an ill-drafted catch-all law against the incitement to so-called "religious hatred". The same government that devised that measure looked on in silence as several existing laws were broken when a hooligan gang claiming to act for the Sikh community forcibly shut down the Birmingham Rep's production of Behzti (Dishonour) by the young British writer Gurpreet Kaur Bhatti. "No one from the Home Office was prepared to defend the playwright," noted the National Theatre's director Nicholas Hytner, "even after she was threatened." Our politicians seem to have concluded that there are no votes in artistic freedom, or even upholding the law, but many in pandering to every angry cry of "offence". Almost two decades ago, British publishers stood firm against the Ayatollah Khomeini's fatwa and issued a joint paperback edition of The Satanic Verses in solidarity with Salman Rushdie. Would the same collective support take shape now? Much of the media has decided to indulge in "responsible" self-censorship that often feels not too far from cowardice. No UK publication, channel or station (save for a couple of rapidly squashed student magazines) allowed its readers or viewers to make up their own minds about the Danish cartoons of Mohamed. In many cultures, free expression remains truly a matter of life and death, quite as risky as it ever was. So The Independent's collection of once-banned books arrives at a crucial moment. From Vladimir Nabokov's Lolita, to Hubert Selby's Last Exit to Brooklyn, from Henry Miller's Tropic of Cancer to William Burroughs' The Naked Lunch, it brings together 25 landmark works that still have the power to disturb and to confront that led to their initial battles with authority. Recall (just for starters) that Nabokov's "nymphet" is not around 14, as many people think, when she catches the predatory eye of Humbert Humbert. In fact, she is 12. Anthony Burgess's A Clockwork Orange satirises the currents in modern society that give rise to the random violence of disaffected kids. At the time, some read his critique as an endorsement of thugs. Many might still do so today. Champions of patriotic warfare will still be affronted by Erich Maria Remarque's All Quiet on the Western Front. Haters of political spin and guile will be appalled by Machiavelli's The Prince. Believers in the spotless innocence of youth will be disgusted by Edmund White's A Boy's Own Story. Partisans of Castro's just and equal Cuba will be outraged by Reinaldo Arenas' Singing from the Well. Islamic patriarchs will be repelled by Taslima Nasrin's Shame. Feminist puritans will be distressed by DH Lawrence's Lady Chatterley's Lover - and so, explosively, on. "Literature", as the poet Ezra Pound put it (and his own flaky Fascist tendencies have expelled his work from many college courses over recent years), "is news that stays news". This selection of fearless and visionary works has stood the test of time. They retain the right to shock - and awe. Some readers may indulge in a little superior scorn when they consider the bourgeois prudery that sought to suppress Madame Bovary's adulterous passion, or the apartheid-era racism that tried to crush the compassion and solidarity of Alan Paton's Cry, the Beloved Country. But, of course, we all approve of censorship in one form or another. Modern politicians in fragile multicultural societies seek control over material that "offends" organised blocs of voters. Many liberally minded people feel glad that British laws passed over recent decades forbid inflammatory racist speech, writing and images. The casual clubland asides of a generation back can now lead straight into court - as the BNP's Nick Griffin recently found out. Fresh legislation against the "glorification" of terrorism, aimed at jihadi hotheads but couched in terms that could have ensnared 1980s supporters of the ANC, has few vocal or visible opponents. Those for whom Holocaust denial represents a uniquely vile assault on truth welcome the legal shaming of David Irving - though not, to be fair, his jailing in a hypocritical Austria. Not even extreme libertarians will raise a finger or a voice against the extension of surveillance powers of the law-enforcement agencies who aim to eradicate child pornography via large-scale trawls such as Operation Ore. Here is a vast network of hi-tech censorship that all but violent criminals support. Overall, it seems as if everyone in Britain now agrees with the provocative US critic Stanley Fish, who in the 1990s wrote an influential anti-liberal tract entitled There's no such thing as free speech - and it's a good thing too. For Fish, as for other radicals who make common cause with conservatives, all expression takes place within a contested set of rules and constraints - psychological, verbal, social, economic. And only fantasists ignorant of history and humanity ever believe in a blank slate. Look at the history of our current "culture wars", and you find that even the bravest standard-bearers of liberty had their blind spots when it came to censorship. John Milton's 1644 pamphlet Areopagitica remains the most forceful English blast in favour of the unsupervised freedom to publish. It claims that killing a book is as bad as killing a man, for "who kills a man kills a reasonable creature, God's image; but he who destroys a good book kills reason itself, kills the image of God, as it were, in the eye". Note Milton's qualification, "good": the first in a long line of provisos with which free-speech champions sought to head off the menace of proscription via an appeal to moral or artistic merit. Fast-forward to 1960: the successful arguments of Penguin Books in the Lady Chatterley trial still turned on the "literary value" defence allowed by the Obscene Publications Act. As many fair-weather libertarians do today, Milton also had a sticking-point: Roman Catholicism. Catholic propaganda, he thought, exempted itself from the protection that the state ought to offer authorship because it amounted to treason: a deep-rooted attack on the values of the nation and its culture. So, too, for many liberals now. The fascist or the racist puts himself outside the free-speech pale, and so deserves ostracism or punishment. American mainstream thinkers said the same of Communists in the McCarthy era. Now, a young Islamist radical who holds up a scrawled banner calling for the beheading of some infidel may face a charge of incitement to murder. Only in one disputed territory - the depiction in print of sexual acts - does the early 21st-century in the West seem significantly more permissive an age than those preceding it. Even here, anomalies and arguments abound. Christian campaigners, not long ago, tried to enforce the removal of mass-market British editions of books by the Marquis de Sade. If filmed, many of Sade's more grossly sadistic scenes (which sometimes involve children) would be instantly deleted once the BBFC had taken a look. Why, protesters asked, are legislators sure that images can harm but words do not? And even words can still run foul of British law. One maverick Manchester publisher, Savoy Books, endured a tireless 17-year campaign of legal harassment by local police and magistrates. Their onslaught culminated in the confiscation and destruction of David Britton's gruesome satirical fantasy, Lord Horror. This was the last major suppression of a British printed work for supposed obscenity, overturned only after a long process of appeal in 1992. Besides, authoritarian societies - from the Rome of Augustus to the Cuba of Castro - have often bothered much less about escapist erotica than about literary challenges to the power of the state and the person of its leaders. George Orwell knew his history when he filled the "Airstrip One" of Nineteen Eighty-Four with cheap gin and cheap porn to pacify the proles. Trend-setters of the 1960s liked to believe in the "subversive" power of sexuality on page, screen or stage. A century earlier, they would have had a point: witness the scandal of Baudelaire's Les Fleurs du Mal, and, indeed, the prosecution of Madame Bovary. In the interwar years, British law still proudly made an ass of itself by, absurdly, putting works such as Radclyffe Hall's tortured lesbian romance The Well of Loneliness in the dock. After the Lady Chatterley trial, the floodgates formally opened - but the creative well dried up. In fast-buck mass culture, the "sexual intercourse" that began for Philip Larkin "in 1963" soon felt more like a cheap trick than a new dawn. Only among gay authors in the West did written sex hang on to its edge of danger and defiance - from Edmund White in the US and Reinaldo Arenas in Cuba to Jean Genet in France. The Old Bailey conviction of Last Exit to Brooklyn in 1967 (overturned after an appeal led by John Mortimer) surely bucked the Sixties liberal trend because of the gay and transsexual milieu of much of Selby's novel. Meanwhile, in the 1970s, James Kirkup's poem for Gay News - in which a Roman soldier erotically contemplates the crucified Jesus - brought the laws of blasphemous libel out of their ancient mothballs. That case, too, resulted in a conviction. Reading the great banned books of other times and other climes will hardly sort out the dilemmas and contradictions that recur in the history of public speech. It might, though, help us to understand that the sands of taboo and transgression, of heresy and blasphemy, are forever shifting under our feet. Within a generation (to take just two obvious examples), Joyce's Ulysses and Lawrence's The Rainbow moved from being proscribed to being prescribed - from the magistrates' court to the seminar room. Other novels travel in the contrary direction. In 1900, Harriet Beecher Stowe's anti-slavery saga Uncle Tom's Cabin seemed to millions one of the noblest, most influential books since the Bible. By 2000, it had become a byword for patronising ignorance. Our shibboleths and scapegoats will no doubt look as bizarre to future critics as the passions of the past so often do to us. So read these formidable literary pariahs with an eye on our age, as well as theirs. In olden days a glimpse of stocking was looked on as something shocking - but, otherwise, Cole Porter got it wrong. Heaven knows, anything definitely doesn't go these days. The prudes and persecutors have simply changed tack and chosen different ground, as they always have. "Let there be light," say writers. In answer, the powers that be treat them not as the salt of the earth but as a law unto themselves, merely concerned with filthy lucre. All those phrases, as it happens, come from a much-censored author: from William Tyndale's magnificent English translations of the Old and New Testaments, which have left a deeper mark on everyday English speech than any other text. And what happened to Tyndale? The Catholic authorities, not content with burning his heretical work, burned him at the stake in Flanders in 1536. In cultures where the written word is banned and burned - even forbidden versions of the Bible - then living men and women will often follow. Ask the grieving family and colleagues of Hrant Dink. Censuring the censors: writers speak out 'Many a man lives a burden to the earth; but a good book is the precious life-blood of a master spirit, embalmed and treasured up on a purpose beyond life... We should be wary therefore... how we spill the seasoned life of man preserved and stored up in books; since we see a kind of homicide may be thus committed, sometimes a martyrdom, and if it extend to the whole impression, a kind of massacre.' JOHN MILTON, 'AREOPAGITICA', 1644 'Nature knows no indecencies; man invents them.' MARK TWAIN, 'NOTEBOOK', 1896 'If we don't believe in freedom of expression for people we despise, we don't believe in it at all.' NOAM CHOMSKY 'The peculiar evil of silencing the expression of opinion is, that it is robbing the human race; posterity as well as the existing generation; those who dissent from the opinion, still more than those who hold it. If the opinion is right, they are deprived of the opportunity of exchanging error for truth; if wrong, they lose what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.' JOHN STUART MILL, 'ON LIBERTY', 1859 'The dirtiest book of all is the expurgated book.' WALT WHITMAN 'The fact is that we are willing enough to praise freedom when she is safely tucked away in the past. In the present ... we get nervous about her, and admit censorship.' EM FORSTER, 'THE TERCENTENARY OF THE "AREOPAGITICA"', 1944 'Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, for ever.' NADINE GORDIMER, 'CENSORSHIP AND ITS AFTERMATH", 1990 'Wherever they burn books they will also, in the end, burn human beings.' HEINRICH HEINE, 'ALMANSOR', 1821 'A censor pronouncing a ban, whether on an obscene spectacle or a derisive imitation, is like a man trying to stop his penis from standing up... The spectacle is ridiculous, so ridiculous that he is soon a victim not only of his unruly member but of pointing fingers, laughing voices. That is why the institution of censorship has to surround itself with secondary bans on the infringement of its dignity.' JM COETZEE, 'GIVING OFFENCE: ESSAYS ON CENSORSHIP', 1994 'Books won't stay banned. They won't burn. Ideas won't go to jail. In the long run of history, the censor and the inquisitor have always lost. The only weapon against bad ideas is better ideas.' ALFRED WHITNEY GRISWOLD, 'THE NEW YORK TIMES', 1959 'All censorships exist to prevent anyone from challenging current conceptions and existing institutions. All progress is initiated by challenging current conceptions, and executed by supplanting existing institutions. Consequently, the first condition of progress is the removal of censorships' GEORGE BERNARD SHAW, ANNAJANSKA, 1919 'We have a natural right to make use of our pens as of our tongue, at our peril, risk and hazard.' VOLTAIRE, 'DICTIONNAIRE PHILOSOPHIQUE', 1764 'Woe to that nation whose literature is cut short by force. This is not merely interference with freedom of the press but the sealing up of a nation's heart, the excision of its memory.' ALEXANDER SOLZHENITSYN, NOBEL PRIZE ACCEPTANCE SPEECH, 1972 'You can never know what your words may turn out to mean for yourself or someone else; or what the world they make will be like. Anything could happen. The problem with silence is that we know exactly what it will be like.' HANIF KUREISHI, 'LOOSE TONGUES', 2003 'If some books are deemed most baneful and their sale forbid, how then with deadlier facts, not dreams of doting men? Those whom books will hurt will not be proof against events. Events, not books should be banned.' HERMAN MELVILLE, 'THE ENCANTADAS', 1856 'If a man is a fool the best thing to do is to encourage him to advertise the fact by speaking.' WOODROW WILSON, ADDRESS TO THE INSTITUTE OF FRANCE, 1919 'Free speech is the whole thing, the whole ball game. Free speech is life itself.' SALMAN RUSHDIE, 'THE GUARDIAN', 1990 'The liberty of the press is a blessing when we are inclined to write against others, and a calamity when we find ourselves overborne by the multitude of our assailants.' SAMUEL JOHNSON, 'THE LIVES OF THE POETS', 1781 'Our liberty depends on the freedom of the press, and that cannot be limited without being lost.' THOMAS JEFFERSON, LETTER TO JAMES CURRIE, 1786 'The press is not only free, it is powerful. That power is ours. It is the proudest that man can enjoy.' BENJAMIN DISRAELI 'He that would make his own liberty secure, must guard even his enemy from opposition; for if he violates this duty he establishes a precedent that will reach himself.' THOMAS PAINE, 'COMMON SENSE' 1776 'I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations.' JAMES MADISON
Censorship: Still a burning issue
If you want to know what defines an era, look no further than the authors, artists and activists who fell foul if it. Censorship is as old as civilisation itself - and the drive to suppress as strong today as ever. As 'The Independent' launches a major series of the greatest banned books in history, Boyd Tonkin asks whether the thought police will ever learn
Published: 22 February 2007

George Bernard Shaw once wrote that assassination is the ultimate form of censorship. That hardly counted as a joke 100 years ago. Now, it sounds like no more than a footnote to today's headlines. A month ago, the Turkish-Armenian editor Hrant Dink died at an ultra-nationalist assassin's hands. His murder came after a sustained, high-level campaign to vilify and prosecute those writers - such as Dink, or Turkey's Nobel laureate Orhan Pamuk - who dare openly to debate the Ottoman massacres of a million or more Armenians in 1915.

Just three months earlier, the author and journalist Anna Politkovskaya paid the same price, shot in the lift of her Moscow apartment block after her dogged and fearless research into the underside of Putin's regime had made her one ruthless foe too many. As for the grotesque public killing, so far unsolved, of Alexander Litvinenko in London last November: remember that the former KGB agent's chief offence, in the eyes of his Russian enemies, was to publish a book that denounced the alleged terror tactics of his ex-employers in provoking the second Chechen war. That book, Blowing Up Russia, was promptly and permanently banned in his native land.

At home, freedom of expression hardly looks in better shape. Last year, only a concerted campaign by what one minister once sneeringly called "the comics' lobby" - in fact, a very broad coalition of writers, artists, lawyers, parliamentarians and (yes) entertainers - reined in an ill-drafted catch-all law against the incitement to so-called "religious hatred". The same government that devised that measure looked on in silence as several existing laws were broken when a hooligan gang claiming to act for the Sikh community forcibly shut down the Birmingham Rep's production of Behzti (Dishonour) by the young British writer Gurpreet Kaur Bhatti. "No one from the Home Office was prepared to defend the playwright," noted the National Theatre's director Nicholas Hytner, "even after she was threatened."

Our politicians seem to have concluded that there are no votes in artistic freedom, or even upholding the law, but many in pandering to every angry cry of "offence".

Almost two decades ago, British publishers stood firm against the Ayatollah Khomeini's fatwa and issued a joint paperback edition of The Satanic Verses in solidarity with Salman Rushdie. Would the same collective support take shape now? Much of the media has decided to indulge in "responsible" self-censorship that often feels not too far from cowardice. No UK publication, channel or station (save for a couple of rapidly squashed student magazines) allowed its readers or viewers to make up their own minds about the Danish cartoons of Mohamed.

In many cultures, free expression remains truly a matter of life and death, quite as risky as it ever was. So The Independent's collection of once-banned books arrives at a crucial moment. From Vladimir Nabokov's Lolita, to Hubert Selby's Last Exit to Brooklyn, from Henry Miller's Tropic of Cancer to William Burroughs' The Naked Lunch, it brings together 25 landmark works that still have the power to disturb and to confront that led to their initial battles with authority.

Recall (just for starters) that Nabokov's "nymphet" is not around 14, as many people think, when she catches the predatory eye of Humbert Humbert. In fact, she is 12. Anthony Burgess's A Clockwork Orange satirises the currents in modern society that give rise to the random violence of disaffected kids. At the time, some read his critique as an endorsement of thugs. Many might still do so today.

Champions of patriotic warfare will still be affronted by Erich Maria Remarque's All Quiet on the Western Front. Haters of political spin and guile will be appalled by Machiavelli's The Prince. Believers in the spotless innocence of youth will be disgusted by Edmund White's A Boy's Own Story. Partisans of Castro's just and equal Cuba will be outraged by Reinaldo Arenas' Singing from the Well. Islamic patriarchs will be repelled by Taslima Nasrin's Shame. Feminist puritans will be distressed by DH Lawrence's Lady Chatterley's Lover - and so, explosively, on.

"Literature", as the poet Ezra Pound put it (and his own flaky Fascist tendencies have expelled his work from many college courses over recent years), "is news that stays news". This selection of fearless and visionary works has stood the test of time. They retain the right to shock - and awe.

Some readers may indulge in a little superior scorn when they consider the bourgeois prudery that sought to suppress Madame Bovary's adulterous passion, or the apartheid-era racism that tried to crush the compassion and solidarity of Alan Paton's Cry, the Beloved Country. But, of course, we all approve of censorship in one form or another. Modern politicians in fragile multicultural societies seek control over material that "offends" organised blocs of voters. Many liberally minded people feel glad that British laws passed over recent decades forbid inflammatory racist speech, writing and images. The casual clubland asides of a generation back can now lead straight into court - as the BNP's Nick Griffin recently found out. Fresh legislation against the "glorification" of terrorism, aimed at jihadi hotheads but couched in terms that could have ensnared 1980s supporters of the ANC, has few vocal or visible opponents. Those for whom Holocaust denial represents a uniquely vile assault on truth welcome the legal shaming of David Irving - though not, to be fair, his jailing in a hypocritical Austria.

Not even extreme libertarians will raise a finger or a voice against the extension of surveillance powers of the law-enforcement agencies who aim to eradicate child pornography via large-scale trawls such as Operation Ore. Here is a vast network of hi-tech censorship that all but violent criminals support. Overall, it seems as if everyone in Britain now agrees with the provocative US critic Stanley Fish, who in the 1990s wrote an influential anti-liberal tract entitled There's no such thing as free speech - and it's a good thing too. For Fish, as for other radicals who make common cause with conservatives, all expression takes place within a contested set of rules and constraints - psychological, verbal, social, economic. And only fantasists ignorant of history and humanity ever believe in a blank slate.

Look at the history of our current "culture wars", and you find that even the bravest standard-bearers of liberty had their blind spots when it came to censorship. John Milton's 1644 pamphlet Areopagitica remains the most forceful English blast in favour of the unsupervised freedom to publish. It claims that killing a book is as bad as killing a man, for "who kills a man kills a reasonable creature, God's image; but he who destroys a good book kills reason itself, kills the image of God, as it were, in the eye". Note Milton's qualification, "good": the first in a long line of provisos with which free-speech champions sought to head off the menace of proscription via an appeal to moral or artistic merit. Fast-forward to 1960: the successful arguments of Penguin Books in the Lady Chatterley trial still turned on the "literary value" defence allowed by the Obscene Publications Act.

As many fair-weather libertarians do today, Milton also had a sticking-point: Roman Catholicism. Catholic propaganda, he thought, exempted itself from the protection that the state ought to offer authorship because it amounted to treason: a deep-rooted attack on the values of the nation and its culture. So, too, for many liberals now. The fascist or the racist puts himself outside the free-speech pale, and so deserves ostracism or punishment. American mainstream thinkers said the same of Communists in the McCarthy era. Now, a young Islamist radical who holds up a scrawled banner calling for the beheading of some infidel may face a charge of incitement to murder.

Only in one disputed territory - the depiction in print of sexual acts - does the early 21st-century in the West seem significantly more permissive an age than those preceding it. Even here, anomalies and arguments abound. Christian campaigners, not long ago, tried to enforce the removal of mass-market British editions of books by the Marquis de Sade. If filmed, many of Sade's more grossly sadistic scenes (which sometimes involve children) would be instantly deleted once the BBFC had taken a look. Why, protesters asked, are legislators sure that images can harm but words do not?

And even words can still run foul of British law. One maverick Manchester publisher, Savoy Books, endured a tireless 17-year campaign of legal harassment by local police and magistrates. Their onslaught culminated in the confiscation and destruction of David Britton's gruesome satirical fantasy, Lord Horror. This was the last major suppression of a British printed work for supposed obscenity, overturned only after a long process of appeal in 1992.

Besides, authoritarian societies - from the Rome of Augustus to the Cuba of Castro - have often bothered much less about escapist erotica than about literary challenges to the power of the state and the person of its leaders. George Orwell knew his history when he filled the "Airstrip One" of Nineteen Eighty-Four with cheap gin and cheap porn to pacify the proles. Trend-setters of the 1960s liked to believe in the "subversive" power of sexuality on page, screen or stage. A century earlier, they would have had a point: witness the scandal of Baudelaire's Les Fleurs du Mal, and, indeed, the prosecution of Madame Bovary. In the interwar years, British law still proudly made an ass of itself by, absurdly, putting works such as Radclyffe Hall's tortured lesbian romance The Well of Loneliness in the dock.

After the Lady Chatterley trial, the floodgates formally opened - but the creative well dried up. In fast-buck mass culture, the "sexual intercourse" that began for Philip Larkin "in 1963" soon felt more like a cheap trick than a new dawn. Only among gay authors in the West did written sex hang on to its edge of danger and defiance - from Edmund White in the US and Reinaldo Arenas in Cuba to Jean Genet in France. The Old Bailey conviction of Last Exit to Brooklyn in 1967 (overturned after an appeal led by John Mortimer) surely bucked the Sixties liberal trend because of the gay and transsexual milieu of much of Selby's novel. Meanwhile, in the 1970s, James Kirkup's poem for Gay News - in which a Roman soldier erotically contemplates the crucified Jesus - brought the laws of blasphemous libel out of their ancient mothballs. That case, too, resulted in a conviction.

Reading the great banned books of other times and other climes will hardly sort out the dilemmas and contradictions that recur in the history of public speech. It might, though, help us to understand that the sands of taboo and transgression, of heresy and blasphemy, are forever shifting under our feet. Within a generation (to take just two obvious examples), Joyce's Ulysses and Lawrence's The Rainbow moved from being proscribed to being prescribed - from the magistrates' court to the seminar room. Other novels travel in the contrary direction. In 1900, Harriet Beecher Stowe's anti-slavery saga Uncle Tom's Cabin seemed to millions one of the noblest, most influential books since the Bible. By 2000, it had become a byword for patronising ignorance. Our shibboleths and scapegoats will no doubt look as bizarre to future critics as the passions of the past so often do to us.

So read these formidable literary pariahs with an eye on our age, as well as theirs. In olden days a glimpse of stocking was looked on as something shocking - but, otherwise, Cole Porter got it wrong. Heaven knows, anything definitely doesn't go these days. The prudes and persecutors have simply changed tack and chosen different ground, as they always have.

"Let there be light," say writers. In answer, the powers that be treat them not as the salt of the earth but as a law unto themselves, merely concerned with filthy lucre. All those phrases, as it happens, come from a much-censored author: from William Tyndale's magnificent English translations of the Old and New Testaments, which have left a deeper mark on everyday English speech than any other text. And what happened to Tyndale? The Catholic authorities, not content with burning his heretical work, burned him at the stake in Flanders in 1536. In cultures where the written word is banned and burned - even forbidden versions of the Bible - then living men and women will often follow. Ask the grieving family and colleagues of Hrant Dink.

Censuring the censors: writers speak out

'Many a man lives a burden to the earth; but a good book is the precious life-blood of a master spirit, embalmed and treasured up on a purpose beyond life... We should be wary therefore... how we spill the seasoned life of man preserved and stored up in books; since we see a kind of homicide may be thus committed, sometimes a martyrdom, and if it extend to the whole impression, a kind of massacre.'

JOHN MILTON, 'AREOPAGITICA', 1644

'Nature knows no indecencies; man invents them.'

MARK TWAIN, 'NOTEBOOK', 1896

'If we don't believe in freedom of expression for people we despise, we don't believe in it at all.'

NOAM CHOMSKY

'The peculiar evil of silencing the expression of opinion is, that it is robbing the human race; posterity as well as the existing generation; those who dissent from the opinion, still more than those who hold it. If the opinion is right, they are deprived of the opportunity of exchanging error for truth; if wrong, they lose what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.'

JOHN STUART MILL, 'ON LIBERTY', 1859

'The dirtiest book of all is the expurgated book.'

WALT WHITMAN

'The fact is that we are willing enough to praise freedom when she is safely tucked away in the past. In the present ... we get nervous about her, and admit censorship.'

EM FORSTER, 'THE TERCENTENARY OF THE "AREOPAGITICA"', 1944

'Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, for ever.'

NADINE GORDIMER, 'CENSORSHIP AND ITS AFTERMATH", 1990

'Wherever they burn books they will also, in the end, burn human beings.'

HEINRICH HEINE, 'ALMANSOR', 1821

'A censor pronouncing a ban, whether on an obscene spectacle or a derisive imitation, is like a man trying to stop his penis from standing up... The spectacle is ridiculous, so ridiculous that he is soon a victim not only of his unruly member but of pointing fingers, laughing voices. That is why the institution of censorship has to surround itself with secondary bans on the infringement of its dignity.'

JM COETZEE, 'GIVING OFFENCE: ESSAYS ON CENSORSHIP', 1994

'Books won't stay banned. They won't burn. Ideas won't go to jail. In the long run of history, the censor and the inquisitor have always lost. The only weapon against bad ideas is better ideas.'

ALFRED WHITNEY GRISWOLD, 'THE NEW YORK TIMES', 1959

'All censorships exist to prevent anyone from challenging current conceptions and existing institutions. All progress is initiated by challenging current conceptions, and executed by supplanting existing institutions. Consequently, the first condition of progress is the removal of censorships'

GEORGE BERNARD SHAW, ANNAJANSKA, 1919

'We have a natural right to make use of our pens as of our tongue, at our peril, risk and hazard.'

VOLTAIRE, 'DICTIONNAIRE PHILOSOPHIQUE', 1764

'Woe to that nation whose literature is cut short by force. This is not merely interference with freedom of the press but the sealing up of a nation's heart, the excision of its memory.'

ALEXANDER SOLZHENITSYN, NOBEL PRIZE ACCEPTANCE SPEECH, 1972

'You can never know what your words may turn out to mean for yourself or someone else; or what the world they make will be like. Anything could happen. The problem with silence is that we know exactly what it will be like.'

HANIF KUREISHI, 'LOOSE TONGUES', 2003

'If some books are deemed most baneful and their sale forbid, how then with deadlier facts, not dreams of doting men? Those whom books will hurt will not be proof against events. Events, not books should be banned.'

HERMAN MELVILLE, 'THE ENCANTADAS', 1856

'If a man is a fool the best thing to do is to encourage him to advertise the fact by speaking.'

WOODROW WILSON, ADDRESS TO THE INSTITUTE OF FRANCE, 1919

'Free speech is the whole thing, the whole ball game. Free speech is life itself.'

SALMAN RUSHDIE, 'THE GUARDIAN', 1990

'The liberty of the press is a blessing when we are inclined to write against others, and a calamity when we find ourselves overborne by the multitude of our assailants.'

SAMUEL JOHNSON, 'THE LIVES OF THE POETS', 1781

'Our liberty depends on the freedom of the press, and that cannot be limited without being lost.'

THOMAS JEFFERSON, LETTER TO JAMES CURRIE, 1786

'The press is not only free, it is powerful. That power is ours. It is the proudest that man can enjoy.'

BENJAMIN DISRAELI

'He that would make his own liberty secure, must guard even his enemy from opposition; for if he violates this duty he establishes a precedent that will reach himself.'

THOMAS PAINE, 'COMMON SENSE' 1776

'I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations.'

JAMES MADISON
]]> http://www.dahuangpictures.com/blogs/akok.php/2007/02/23/apa_khabar_orang_kampung_banned#c553 Sun, 04 Mar 2007 20:01:32 +0000 c552@http://www.dahuangpictures.com/blogs/ Dear facetsoftlife, noted and changed. thank you!
noted and changed. thank you!]]> http://www.dahuangpictures.com/blogs/press.php/2007/03/25/deauville_asia_focus_on_james_lee#c552 Thu, 01 Mar 2007 04:57:14 +0000 c551@http://www.dahuangpictures.com/blogs/ Before We Fall In Love Again is James Lee's LAST feature film??? Well,I sure hope not.
Well,I sure hope not.]]> http://www.dahuangpictures.com/blogs/press.php/2007/03/25/deauville_asia_focus_on_james_lee#c551